COMMENTS ON MUSIC TWO

 Another Op’nin’ Another Show: Throughout, “an-oth-er” is pronounced as “a-nuh-ther” and don’t chew on the ‘r’ at the end. Where it is held out, don’t close on the ‘r’ until cutoff. Page 13, Measures 135 through 140, baritones take middle note with all tenors on top note.

Water Is Wide: Page 3, Measure 21, through Page 4, Measure 30, more volume from baritones.

Don’t Be Cruel: Page 6, Measure 5, baritones sing mf while others sing mp. Page 7, Measure 44, ‘cruel’ is short so don’t hold on to it. Same at Page 10, Measure 62, and Page 11, Measure 72. Page 11, Measure 74, softer. Page 12, Measure 79, louder.

COMMENTS ON MUSIC

 Posted 02/20/23

Probable performance order is in the right sidebar.

And All That Jazz – The piano introduction is four measures long because the first two measures are repeated; don’t come in too soon. Measures 3 through 16, all people including men sing the soprano/alto notes, men an octave lower, the first time through. Second time, split to normal staves. Page 3, Measure 13, first time, replace ‘ice’ with ‘gin’. Page 4, second ending, Measure 23,  the word is ‘do’ instead of ‘all’ so the phrase is ‘and do that jaeeazzz.’ Page 6, Measure 40, replace ‘weird’ with ‘queer’. Page 7, Measure 45, each part splits to its own staff. Page 11, Measure 61 is a whole measure of rest, so don’t sing.

Another Op’nin’, Another Show – Page 4, Measure 30, note the flat which is different than you expect. Page 4, Measure 31, men, first note is C flat, same as B natural, once again different than you expect. Page 11, Measure 115, men, first note is C flat, same as B natural. Page 16, Measure 161 to end, is all one uninterrupted note, so stagger breathing.

As Time Goes By – Page 2, women start singing first and men don’t sing until last note of Measure 8. Page 5, Measure 32, break but no breath after ‘do’. Page 7, Measure 49, break but no breath after ‘do’.

Celebrate Music – Lots of syncopation. This publisher tends to follow an unofficial convention used in newer works to indicate syncopation. For example, in Measure 8, ‘world’ is paired with two tied eighth notes instead of a quarter note. This indicates that ‘world’ begins on the ‘and’ of ‘two and’. Page 6, Measure 41, put a quarter rest at the end of the measure to provide a break. Note that the altos are moving in the measure so don’t cut off too soon. Page 10, Measures 84 and 85, sing notes staccato.

Fields of Gold – The first five measures of the song are a cappella. After that, tenors sing alone through Page 4, Measure 16. Note that this publisher also tends to follow an unofficial convention used in newer works to indicate syncopation. For example, in Measure 16, ‘fields’ is paired with two tied eighth notes instead of a quarter note. This indicates that ‘fields’ begins on the ‘and’ of ‘two and’. Page 6, Measure 35, break, no breath, after ‘sky’. Page 15, Measures 85 through 90, no breaks so stagger breather. Break at end of Measure 90.

Joint Is Jumpin’ – Page 7, Measures 59 and 60 and Page 9, Measures 83 and 84, use original lyrics; replace ‘Let the party now begin’ with ‘Get your pig feet, beer, and gin’.

Music, Lead the Way – This uses straight rhythm, not swing.

Riversong – This should be sung smoothly, with emphasis on syllables varying as if speaking; don’t stomp on the words. Page 11, gradual decr. start on this page at differing measures for the differing parts so that the volume goes from f at the start to mp at Page 12, Measure 95. WTD closely starting at Measure 95; there is only one word so you can look up from your music, there is a rit. in Measure 95, and further decr in Measure 96.

Don’t Be Cruel – Wherever ‘ah’ is written, sing ‘oo’.

For The Beauty Of The Earth – Page 2, Measure 10, ‘the’ is pronounced ‘thee’ because it precedes a word beginning with a vowel.

The Water Is Wide – Throughout, ‘neither’ is pronounced as ‘neyether’ even though it really should be pronounced as ‘nayther’. Page 6, Measure 50, tenors should pronounce ‘dew’ as ‘dyew’. Page 7, Measure 57, break between “o’er” and “and’. Page 8, Measure 70 to the end, WTD. There are breaks before ‘my’ and after ‘love’. There are multiple fermatas. On the final word ‘I’, do not close to the ending ‘ee’ of the diphthong but instead stay on the beginning ‘ah’.

General Stuff – Do not ‘chew’ your ‘r’s. For example, ‘our’ is pronounced like ‘hour’, not like ‘arrh’ (pirate speak). On longer notes, do not close to the final consonant or the final sound of a diphthong until cutoff. This is particularly important on words ending in ‘s’ or ‘z’ to prevent the dreaded snake pit hissing sound. Vary the intensity of words much as you would in conversations so that you don’t get a stomping effect. Typically, you will need to enunciate more clearly when singing softly.